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Craftsman Style Arts and Crafts Font Greene and Greene

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A couple weeks agone my wife and I traveled down to nourish a friend's wedding in Cayucos, California – a quaint little beach town about halfway between Los Angeles and San Francisco.  When we started looking at flights a few months back, we realized that in club to get to Cayucos from Portland, we'd have to connect in either LA or 1 of the Bay Area airports anyway, and so we decided to just wing into San Jose and drive down the Coast on the Pacific Declension Highway to the wedding, then continue down to LA and wing out of there, and plow the trip into a bungalow mini-tour!

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In preparation for the trip, I starting researching the area and purchased the wonderful volume, Cottages By The Sea – The Handmade Homes of Carmel by Linda Leigh Paul.  With lots of intimate pictures and informative text, the volume proved to exist an invaluable nugget every bit nosotros made our manner in and effectually the gorgeous seaside artists' community of Carmel…

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After touring The Gamble House and other Greene & Greene homes in Pasadena, I was very excited to see the Carmel habitation and studio of Charles Greene.  After pioneering the Arts & Crafts architectural movement in Southern California every bit one-half of the esteemed architectural house of Greene & Greene, Charles Greene moved to Carmel in the 1920's.  He designed and congenital this rather modest cottage (pictured higher up) from salvaged brick he acquired from a demolished hotel in nearby Pacific Grove.  Charles used the cottage as his residence and studio where he painted, wrote and designed a scattering of projects for clients until his decease in 1957.

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Forth with the salvaged brick, much of the lumber used in the house (including the teak front door) was given to him by White Brothers Hardwood in San Francisco which is where the Greenes purchased much of the timber used on their more than elaborate projects in Southern California.  Charles also incorporated repurposed bottle-glass in the some of the doors and windows of the home (above left).  A sign reading "GREENE" still hangs side by side to the arched gateway to the courtyard (above right).

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One of the few projects that Charles Greene was deputed to design during his time in Carmel was the D.L. James House (likewise known as Seaward), located just a few miles south of Carmel on a picturesque rocky out-cropping overlooking the Pacific Body of water.  With an outside of golden granite quarried locally from nearby Yankee Indicate, the dwelling house seems to organically sally from the cliff walls upon which information technology sits.  (The image to a higher place is courtesy of the book Greene & Greene, by Edward R. Bosley)

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The home's stonework was inspired by trips to England (and specifically the ruins of Tintagel ) that Charles made every bit a young man.  The ii gates (pictured below) that confront the road give the only close-upwards look at the fine craftsmanship and stonemasonry that went into the home'south structure.

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Back in town, the Della Walker House (below) – designed in 1948 by Frank Lloyd Wright – unassumingly nestles into a wedge-shaped lot overlooking the embankment.

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The house was designed on a repeating triangle design that culminates in a hexagonal-shaped living room which can be seen in the image to a higher place and on the left side of dwelling's floor programme (below).

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Beyond the living room, a triangular shaped terrace affords grand views upwardly and down the beach and across the water to Pebble Embankment Golf Course.

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Another of Carmel's better-known designers was Hugh Comstock.  Although non an builder or builder past trade, Comstock designed his outset cottage, "Hansel Firm" (below left) in 1924, to firm his wife's all-encompassing "Otsy-Totsy" doll collection.

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Upon its completion, friends and local Carmel residents began asking him to design homes for them in the same vein.  Comstock went on to design and build dozens of homes and buildings in Carmel, among them are the Marchen Haus (below) and the Tuck Box Tea Room (above right).

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Around the corner from Tuck Box (above) are a couple examples of typical cedar-roofed cottages that are abode to local businesses in the centre of town.  These two are the PortoBella Eating house (below left) and a local chocolate shop, Cottage of Sweets (below right).

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Beneath is a more traditional bungalow with cedar siding and a single dormer.

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The two cottages in a higher place and beneath are great examples of the simplicity of a typical Carmel dwelling.

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The home to a higher place, named Graystone, is a elementary cottage clad with granite.

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One of the more unique homes that we saw was the appropriately named "Bawl Business firm" (pictured above), built in 1924 by Lee Gottfried.  The exterior walls of the home are layered with vertical redwood-bawl planks that are secured to posts and beams.  A rock and redwood-bark wall surrounds the property and encloses a small courtyard and a rock walkway that leads to a modest front porch.  Contrastingly, the interior of the home is finely finished with plaster walls and redwood paneled woodwork.

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The homes that face the ocean are typically larger and more than elaborate in design, yet however retain the same Arts & Crafts appeal of their cozier neighbors.

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The stonework on the habitation in a higher place had to have been inspired by the D.L. James Firm (that I mentioned earlier).  This domicile on Scenic Road home sits facing the body of water.

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One of the first cottages congenital on the Carmel waterfront was that of the well-known poet and writer, Robinson Jeffers .  Jeffers congenital the cottage, known as Tor House, with the assistance of a local stone mason he hired to teach him the craft of making "rock love stove".  After cut his teeth on the cottage habitation, Jeffers subsequently went on to build Militarist Belfry for his wife, Una.  Hauling boulders upward from the beach below, Jeffers built the unabridged tower past himself.

The Tor House Foundation offers tours of the property and we were thrilled to accept to the opportunity to see it.  Information technology ended up beingness one of the highlights of our trip – then much so, in fact – that I'll be writing another mail entirely well-nigh it soon.

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I can't say enough about the sheer beauty of Carmel and its seemingly countless collection of enchanting Arts & Crafts cottages.  Everywhere y'all look there are gorgeous homes and amazing vistas that have your breath away.  If you ever take the chance to visit the area, you should by all ways take the opportunity to do then – y'all won't exist disappointed!!

Check back shortly for my post well-nigh Tor House, the handcrafted stone cottage of poet Robinson Jeffers…

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